2010年至2012年，由攝影師黃淑琪等人發起《咔》攝影文化雜誌（KLACK），由藝術發展局資助，以半年刊形式共出版四期，探討攝影與親密、沙龍攝影等不同主題。
《咔》攝影文化誌是一本為了展示和分析攝影及影像獨特的表達功能及文化，而出現的一本雜誌，希望能在大眾所認知的攝影的盲點中搜集出獨特的影像及有質素的創作，對其進行多角度的分析、解讀。我們會從身處的社會環境觀察及發現，主希望能對本土攝影有較深入的研究，用有趣的方法及理論角度剖析，務求能進一步擴闊攝影的表現性、本質和意義，繼而能推動攝影作為文化創意教育。最終，我們希望能對搜集回來的資料從攝影歷史脈絡的縱向進行梳理。由圖像主義（Pictorialism）、新攝影（New Photography）至當代攝影（ContemporaryPhotography），攝影的表現手法多而廣，若果能將為散佈於各處不為人知的創意影像根據攝影歷史和理論作出統整後，結果將普出意想不到的火花，亦延展出主流藝術攝影以外的更多可能性。
From 2010 to 2012, photographer Ki Wong and her partners initiated the KLACK Photography and Culture Magazine, which had four semi-annual issues to explore different themes such as intimacy and salon photography.
KLACK Photography and Culture Magazine is a publication created to showcase and analyze the unique expressive power and cultural dimensions of photography and visual imagery. It aims to uncover distinctive visuals and high-quality creative works that may fall outside the public’s usual perception of photography. Through multifaceted analysis and interpretation, the magazine seeks to bring new perspectives to light.
Grounded in observations of our surrounding social environment, our main goal is to conduct in-depth research on local photography. We approach this with engaging methods and theoretical insights, striving to expand the expressive potential, essence, and meaning of photography. In doing so, we hope to promote photography as a form of cultural and creative education.
Ultimately, we aim to organize the material we collect within a historical framework of photography. From Pictorialism, New Photography, to Contemporary Photography, the medium’s styles and approaches are vast and diverse. If we can consolidate these scattered, lesser-known creative images using the lens of photographic history and theory, the results may spark unexpected inspiration and open up new possibilities beyond mainstream art photography.
